Pū Whenua Hautapu, Eka Mumura — Troy Kingi • 1O 1O 1O Series
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Pū Whenua Hautapu, Eka Mumura
By Troy Kingi & The Upperclass
 

“A multi-layered, conscious celebration of all things Indigenous.”

This incredible reworking of the third instalment of Troy Kingi's aspirational 10|10|10 Series (Holy Colony Burning Acres) will be released this Matariki (Māori New Year), and is a deeply personal project for Troy.

This is more than a translation, but a complete reworking of the album from a Māori world view, including brand new recordings of tracks such as Turūkanīnī. It has also been an opportunity for Troy and long time production partner TeMatera Smith to revisit production decisions and make tweaks and changes for the keen of ear.

The 2019 English release of ‘Holy Colony Burning Acres’, won the prestigious 2020 Taite Music Prize, and a nomination for the coveted Silver Scroll Award for ‘Mighty Invader’. The album also earned Kingi two awards at the 2019 Vodafone New Zealand Music Awards – Best Roots Album, and for a second consecutive year, Best Māori Artist.

 
It pierces through the thick, multi-layered din of distraction and reminds us that through shared knowledge comes collective understanding, and from collective understanding comes kotahitanga - togetherness.’
— Warren Maxwell
 

 Associate Professor Warren Maxwell (Trinity Roots / Little Bushmen) (Ngāti Whare / Ngāi Te Riu / Ngāti Rākaipaaka / Ngāi Tūkairangi) writes about this record ~

"Like many of us on the journey of re-connecting with whakapapa, I feel extremely fortunate to have been given numerous opportunities and invitations to grow into and embrace the fertile, holistic plenitudes of Te Aō Māori.

Troy's lyric citing hīnātore as a metaphor for hope in a hopeless situation (He Kākano), sparked my own reflections on the numerous ongoing challenges of iwi taketake (indigenous peoples) around the world, and the sustained campaigning against systemic hegemony. One korero tells us that Hīnātore (phosphorous light) was the first piercing glimmer out of the dark expanse of the nothingness (Te Kore), that our Ātua saw when Tāne separated Ranginui (Sky Father) from Papatūānuku (Earth Mother). It is generous, ngakau nui creations like this album that collectively pierce through the din for ALL of us to embrace and reflect.

The entire album is imbued with a multi-layered, conscious celebration of all things Indigenous; from the joyous collage or linguistic chaos of ’Taku Taku (Tower of Babylon), to the tasty eudaemonic ‘dubs’; a homage to Lee Scratch Perry scattered throughout. This piercing glimmer and celebrated continuum of indigeneity could not be any more celebrated in this stunning yet hearty collection of songs and story telling. To weave all of the threads of sublime production, with the highest calibre of exquisite musicianship and lyrical inteniont of a taiaha is no easy feat. In this album (and all his others!) Troy delivers. 'E hara taku toa i te toa takitahi, engari he toa taki tini’. In Te Ao Māori, individual actions and considerations are for the benefit of the many. And in this increasingly, fast-paced, dynamic world, our brother Troy makes time for us all. He invests his creative energies and aroha for us all. We mihi back to him and his beautiful whanau, and acknowledge their collective aroha embodied within this taonga, ‘Pū Whenua Hautapu Eka Mumura’. And because this album comes from the ngakau (heart), in my humble opinion, it soars high above any music industry metric. It pierces through the thick, multi-layered din of distraction and reminds us that through shared knowledge comes collective understanding, and from collective understanding comes kotahitanga / togetherness.'

Pū Whenua Hautapu, Eka Mumura Lyrics